New York, Raw and Uncut Photographs 1981-2001 Wide Angle Press, Hard Cover 304 pages   Boarding a Capitol Airways DC10 in 1981 brought me for the first time to JFK, this was my first trip outside of Europe and New York seemed the perfect choice and destination. Within seconds of walking out of the subway, Manhattan grabs your soul and spirit, and you understand that it will never let you lose. I am a 20-year-old with dreams. Like many photographers before me, I want to explore, discover and photograph the moving city. All streets and neighborhoods must be visited. In 1983 and 1984, I am attracted by the names The Bronx or Harlem as I try to channel my inner strength by walking through the hoods while shooting images. It is in these neighborhoods across the city that I really learned my trade and that I became a street photographer, overcoming my fears of the unknown and the rough edges of the city. By 1986, I was cruising the city, somewhat fearless, still aware of the challenges but riding my luck -luck is an element of the daily life of any photographer, you simply need some to make some of your best photographs. So for 20 years, I would come and go, sometime on assignment for your newspaper like my beloved “Libération” others time to shoot portraits, the other side of my photography. And naturally I would walk to Battery Park to Jerome Avenue in The Bronx of from Times Square to Coney Island, yes, I wrote walk, because for me, the steps from street to street are at the heart of any street project. New York taught me that there is something happening at every corner and I never let it loose. This is also my last street project completely shot on film. With only 36 images to a roll, the mind and reflexes had to be sharp. For sure that number 36 was a friendly reminder that frame, distance, aperture and speed better be in osmose with your brain. This book strives to show you how I achieved my dreams of becoming a photographer. New York helped shape me, that is a fact.   Jerome De Perlinghi March 2026

-May 6 to July 12, 2026

-Reconstructed Landscape, an exhibition of Chinese Photography during urbanization;

Wang Peiquan, Sun Liangong, Zou Yongjun, Wang Xueya, Guo Mei, Shu Qiaomin, Lu Huandong

Curated by Jiang Rong 

Reception, Saturday May 16, 7 PM to 9 PM

China’s ongoing process of urbanization has profoundly reshaped both urban and rural territories, transforming not only the physical landscape but also the ways in which people inhabit, perceive, and relate to their surroundings. These sweeping changes—often rapid, uneven, and irreversible—have left visible traces across cities, villages, and transitional zones, altering the environmental and social fabric of everyday life. As situated and sensitive observers of their time, photographers play a vital role in witnessing and recording these transformations. Through the camera, they do more than document change: they respond to it, interrogate it, and reimagine it. Photography becomes a means through which landscapes are not simply represented, but reconstructed—filtered through personal experience, conceptual intervention, and critical reflection. Reconstructed Landscape brings together the work of seven Chinese photographers whose practices engage, in distinct ways, with the landscapes shaped by China’s urbanization over recent decades. In some cases, the landscapes are reconfigured through deliberate artistic strategies; in others, they emerge as fragmented, altered, or unsettled spaces shaped by economic development, spatial displacement, and environmental degradation. Whether through staging, recontextualization, or attentive observation, each artist offers a re-reading of places in transition. Collectively, the photographs presented in this exhibition offer viewers a multifaceted perspective on China’s urbanization—not as a singular narrative of progress, but as a complex and layered process experienced through diverse terrains and lived realities. At the same time, the exhibition highlights how contemporary Chinese photographers negotiate their role within this shifting landscape, using photography both as a record of change and as a critical tool for reimagining the relationship between people and the environments they inhabit.

-July 15 to August 26, 2026

Reception, Thursday July 16, 6 PM to 8 PM

The Quiet Axis of Earth, Pi Lin Liu

What does it mean to witness time—not as a sequence of events, but as a condition that quietly reshapes the world? This series moves across polar landscapes, where boundaries between ice, water, land, and life appear both fragile and unstable. These environments are often perceived as distant or extreme, yet they reveal processes that are neither sudden nor dramatic, but continuous and inevitable. Rather than documenting change as an event, the work reflects on how forms dissolve, how structures lose coherence, and how presence gradually shifts toward absence. Human traces, animal life, and geological formations are not treated as separate subjects, but as elements within the same field of transformation. Seen through this quiet axis, time does not unfold in a linear progression. It accumulates through subtle erosion, through the slow reconfiguration of surfaces, and through the persistent uncertainty of what remains.

To the Shadows, A Visual Documentary Essay about Lakota Rides, Simon Vansteenwinckel

" Every year in December, in North and South Dakota, members of the Lakota (Sioux) tribes gather to ride 450 km on horseback for 15 days, in temperatures that can drop to -20°C.  They follow in the footsteps of Chief Big Foot's tribe, whose 300 members, mainly women and children, were massacred at Wounded Knee on December 29, 1890."

- September 2 to September 29, 2026 

Reception, Thursday September 3, 2026 from 6 PM to 8 PM

-Meanwhile in  California, Eric Davidove

I’m a street photography addict.  No pills or powders for me, just the raw, unfiltered rush of capturing the madness of the world around me. Since 2016, I’ve been pounding the urban streets, logging miles on foot like a desperate man chasing the fleeting moments that slip through the cracks of everyday life. My years as a street mime taught me how to anticipate people’s every move, to read the undercurrent of human behavior.  My photos tend to be quirky, offbeat, and full of dry humor.

-Figurative Coffins and Funerals, Regula Schumi

TBA

-September 30 to November 1, 2026

Reception, Thursday October 5, 2026 from 6 PM to 8 PM

-Inclusive Nations, Marijn Fidder

Life can present many obstacles for people with disabilities. These challenges lead to social isolation, poverty and reduced quality of life. However, amid these obstacles, Uganda is gradually transforming to become more inclusive.   As of 2020, Uganda has one of the most progressive laws for people with disabilities in the world. This states, among other things, that discrimination against people with disabilities is prohibited. Children with disabilities have the right to education and adults have the right to a job. This is very important because 80% of all people with disabilities in the world live in developing countries, such as Uganda.   While there is still much work to be done, the progress made thus far is a glimmer of hope for people with disabilities.

-November 4 to December 20, 2026

Reception andBook Launch Thursday November 5, 2027 6 PM to 9 PM

- New York, Raw and Uncut, Jérôme De Perlinghi

Boarding a Capitol Airways DC10 in 1981 brought me for the first time to JFK, this was my first trip outside of Europe and New York seemed the perfect choice and destination. Within seconds of walking out of the subway, Manhattan grabs your soul and spirit, and you understand that it will never let you lose. I am a 20-year-old with dreams. Like many photographers before me, I want to explore, discover and photograph the moving city. All streets and neighborhoods must be visited. In 1983 and 1984, I am attracted by the names The Bronx or Harlem as I try to channel my inner strength by walking through the hoods while shooting images. It is in these neighborhoods across the city that I really learned my trade and that I became a street photographer, overcoming my fears of the unknown and the rough edges of the city. By 1986, I was cruising the city, somewhat fearless, still aware of the challenges but riding my luck -luck is an element of the daily life of any photographer, you simply need some to make some of your best photographs. So for 20 years, I would come and go, sometime on assignment for your newspaper like my beloved “Libération” other times to shoot portraits, the other side of my photography. And naturally I would walk from Battery Park to Jerome Avenue in The Bronx of from Times Square to Coney Island, yes, I wrote walk, because for me, the steps from street to street are at the heart of any street project. New York taught me that there is something happening at every corner and I never let it loose. This is also my last street project completely shot on film. With only 36 images to a roll, the mind and reflexes had to be sharp. For sure that number 36 was a friendly reminder that frame, distance, aperture and speed better be in osmose with your brain. This book strives to show you how I achieved my dreams of becoming a photographer. New York helped shape me, that is a fact. 

-January 6 to January 31, 2027

Reception Thursday January 6, 2027 from 6 PM to 8 PM

Metro, Chip Snipes

Metro examines the intersection of architecture, infrastructure, politics, and everyday life in our Nation's capital, though it is not strictly reportage.  It is an effort to communicate the emotion, the feeling, the permeating atmosphere of this unprecedented moment in history, coinciding with the 250th anniversary of our country and the 50th anniversary of the DC Metro system.

The Unyielding Sidewalk, The Resilient River: life in Vietnam, Barbara Snyder

The Unyielding Sidewalk, The Resilient River: Life in Vietnam   The streets and waterways of Vietnam are not just pathways; they are the ultimate stages of human ingenuity. From the relentless hum of city curbs to the floating markets of the Mekong, every vendor carrying impossible loads and every family building a livelihood embodies a quiet, unbreakable force. This collection captures that daily rhythm—a visual testament to a people who do not simply survive, but creatively conquer every obstacle in their path.

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